Bouchra Khalili, The Tempest Society, 2017, exhibition view Secession 2018, Courtesy the artist and Galerie Polaris, Paris, Photo: Oliver Ottenschläger
1.48 MB
Bouchra Khalili, The Tempest Society, 2017, digital film (video still),
Courtesy of the artist
1.55 MB
Bouchra Khalili, Foreign Office, 2015, exhibition view Secession 2018, Courtesy the artist and Galerie Polaris, Paris, Photo: Oliver Ottenschläger
1.04 MB
Bouchra Khalili, Foreign Office, 2015, mixed-media project (video still),
Courtesy of the artist and Galerie Polaris, Paris
1.27 MB
Bouchra Khalili, Foreign Office, 2015, exhibition view Secession 2018, Courtesy the artist and Galerie Polaris, Paris, Photo: Oliver Ottenschläger
1.71 MB
Bouchra Khalili, Foreign Office, 2015, mixed-media project. C-Print: Centre Familial de Ben Aknoun, Ben Aknoun Area, Location of Katib Yacine’s house. Fig. 1: Théâtre de Verdure,
Courtesy of the artist and Galerie Polaris, Paris
905.08 KB
Bouchra Khalili, The Speeches Series, 2012-13, exhibition view Secession 2018, Courtesy the artist and Galerie Polaris, Paris, Photo: Oliver Ottenschläger
2.51 MB
Bouchra Khalili, The Speeches Series, 2012-2013, video trilogy, Speeches – Chapter 1: Mother Tongue, 2012 (video still), Courtesy of the artist and Galerie Polaris, Paris, Commissioned for Intense Proximity, La Triennale, Palais de Tokyo, Paris, 2012
4.01 MB
Elaine Reichek
Now If I Had Been Writing This Story April 13 – June 3, 2018
Elaine Reichek, You Coasts (Ocher), 2014 (detail), Courtesy of the artist, Shoshana Wayne Gallery, Los Angeles and Marinaro, New York
1.40 MB
Elaine Reichek, You Coasts (Ocher), 2014, I Wonder Sometimes, 2014, exhibition view Secession 2018, Courtesy of the artist, Shoshana Wayne Gallery, Los Angeles and Marinaro, New York, Photo: Oliver Ottenschläger
1.56 MB
Elaine Reichek, Toutes les Filles, 2016–17, exhibition view Secession 2018, Courtesy of the artist, Shoshana Wayne Gallery, Los Angeles and Marinaro, New York, Photo: Oliver Ottenschläger
2.73 MB
Elaine Reichek, Toutes les Filles (detail), 2016–17, exhibition view Secession 2018, Courtesy of the artist, Shoshana Wayne Gallery, Los Angeles and Marinaro, New York, Photo: Oliver Ottenschläger
463.16 KB
Elaine Reichek, Now If I Had Been Telling That Story, exhibition view Secession 2018, Courtesy of the artist, Shoshana Wayne Gallery, Los Angeles and Marinaro, New York, Photo: Oliver Ottenschläger
2.75 MB
Elaine Reichek, Desire, Dread, Despair, 2012, Courtesy of the artist, Shoshana Wayne Gallery, Los Angeles and Marinaro, New York
2.34 MB
Elaine Reichek, Ariadne in Crete, 2009-2010, exhibition view Secession 2018, Courtesy of the artist, Shoshana Wayne Gallery, Los Angeles and Marinaro, New York, Photo: Oliver Ottenschläger
2.82 MB
Elaine Reichek, Swatches: Matisse1–9, 2007, exhibition view Secession 2018, Courtesy of the artist, Shoshana Wayne Gallery, Los Angeles and Marinaro, New York, Photo: Oliver Ottenschläger
R.H. Quaytman, An Evening, Chapter 32, installation view, Secession 2017, Courtesy the artist and Galerie Buchholz (Berlin/Cologne/New York), Photo: Hannes Böck
1.29 MB
R.H. Quaytman, An Evening, Chapter 32, installation view, Secession 2017, Courtesy the artist and Galerie Buchholz (Berlin/Cologne/New York), Photo: Hannes Böck
889.48 KB
R.H. Quaytman, An Evening, Chapter 32, installation view, Secession 2017, Courtesy the artist and Galerie Buchholz (Berlin/Cologne/New York), Photo: Hannes Böck
1.13 MB
R.H. Quaytman, An Evening, Chapter 32, installation view, Secession 2017, Courtesy the artist and Galerie Buchholz (Berlin/Cologne/New York), Photo: Hannes Böck
1.37 MB
R.H. Quaytman, An Evening, Chapter 32, installation view, Secession 2017, Courtesy the artist and Galerie Buchholz (Berlin/Cologne/New York), Photo: Hannes Böck
Olga Chernysheva, Chandeliers in the Forest, installation view, Secession 2017, Courtesy the artist, Diehl Gallery, Berlin; Temnikova & Kasela Gallery, Tallinn, Photo: Jorit Aust
1.02 MB
Olga Chernysheva, Chandeliers in the Forest, installation view, Secession 2017, Courtesy the artist, Diehl Gallery, Berlin; Temnikova & Kasela Gallery, Tallinn, Photo: Jorit Aust
937.87 KB
Olga Chernysheva, Chandeliers in the Forest, installation view, Secession 2017, Courtesy the artist, Diehl Gallery, Berlin; Temnikova & Kasela Gallery, Tallinn, Photo: Jorit Aust
1.07 MB
Olga Chernysheva, Chandeliers in the Forest, installation view, Secession 2017, Courtesy the artist, Diehl Gallery, Berlin; Temnikova & Kasela Gallery, Tallinn, Photo: Jorit Aust
735.36 KB
Olga Chernysheva, Chandeliers in the Forest, installation view, Secession 2017, Courtesy the artist, Diehl Gallery, Berlin; Temnikova & Kasela Gallery, Tallinn, Photo: Jorit Aust
1.10 MB
Olga Chernysheva, Chandeliers in the Forest, installation view, Secession 2017, Courtesy the artist, Diehl Gallery, Berlin; Temnikova & Kasela Gallery, Tallinn, Photo: Jorit Aust
915.03 KB
Olga Chernysheva, Chandeliers in the Forest, installation view, Secession 2017, Courtesy the artist, Diehl Gallery, Berlin; Temnikova & Kasela Gallery, Tallinn, Photo: Jorit Aust
Nicole EisenmanShooter 2, 2016, 208,28 x 165,1 cm. Courtesy the artist, Anton Kern Gallery NY and The Daskal Collection, Photo: Sophie Thun
1.78 MB
Nicole Eisenman, Dark Light, 2017, 325,12 x 264,16 cm. Courtesy the artist, Susanne Vielmetter Los Angeles Projects and The Ovitz Family Collection, Photo: Sophie Thun
2.24 MB
Nicole Eisenman, Riding Down River on the USS J-Bone of an Ass, 2017, 325,12 x 264,16 cm. Courtesy the artist, Susanne Vielmetter Los Angeles Projects and The Aishti Collection, Photo: Sophie Thun
1.84 MB
Nicole Eisenman, Dark Light, Ausstellungsansicht. Secession 2017, Photo: Sophie Thun
1.20 MB
Nicole Eisenman, Dark Light, Ausstellungsansicht. Secession 2017, Photo: Sophie Thun
1.27 MB
Nicole Eisenman, Dark Light, Ausstellungsansicht. Secession 2017, Photo: Sophie Thun
1.18 MB
Nicole Eisenman, Dark Light, Ausstellungsansicht. Secession 2017, Photo: Sophie Thun
2.14 MB
Nicole Eisenman, Dark Light, Ausstellungsansicht. Secession 2017, Photo: Sophie Thun
1.34 MB
Nicole Eisenman, Dark Light, Ausstellungsansicht. Secession 2017, Photo: Sophie Thun
1.05 MB
Nicole Eisenman, Dark Light, Ausstellungsansicht. Secession 2017, Photo: Sophie Thun
1.18 MB
Nicole Eisenman, Monument to a Politician, Secession 2017, with collaborative assistance from Ali Janka and Tobias Urban, Photo: Sophie Thun
2.09 MB
Nicole Eisenman, Monument to a Politician, Secession 2017, with collaborative assistance from Ali Janka and Tobias Urban, Photo: Sophie Thun
1.63 MB
Nicole Eisenman, Monument to a Politician, Secession 2017, with collaborative assistance from Ali Janka and Tobias Urban, Photo: Sophie Thun
1.85 MB
Nicole Eisenman, Monument to a Politician, Secession 2017, with collaborative assistance from Ali Janka and Tobias Urban, Photo: Sophie Thun
1.82 MB
Nicole Eisenman, Monument to a Politician, Secession 2017, with collaborative assistance from Ali Janka and Tobias Urban, Photo: Sophie Thun
Alex Da Corte, Slow Graffiti, installation view, Secession 2017. Courtesy of Maccarone, New York, Gió Marconi, Milan and David Risley Gallery, Copenhagen, Photo: Sophie Thun
4.10 MB
Alex Da Corte, Slow Graffiti, installation view, Secession 2017. Courtesy of Maccarone, New York, Gió Marconi, Milan and David Risley Gallery, Copenhagen, Photo: Sophie Thun
4.13 MB
Alex Da Corte, Slow Graffiti, installation view, Secession 2017. Courtesy of Maccarone, New York, Gió Marconi, Milan and David Risley Gallery, Copenhagen, Photo: Sophie Thun
4.23 MB
Alex Da Corte, Slow Graffiti, installation view, Secession 2017. Courtesy of Maccarone, New York, Gió Marconi, Milan and David Risley Gallery, Copenhagen, Photo: Sophie Thun
4.39 MB
Alex Da Corte, Slow Graffiti, installation view, Secession 2017. Courtesy of Maccarone, New York, Gió Marconi, Milan and David Risley Gallery, Copenhagen, Photo: Sophie Thun
5.11 MB
Alex Da Corte, Slow Graffiti, installation view, Secession 2017. Courtesy of Maccarone, New York, Gió Marconi, Milan and David Risley Gallery, Copenhagen, Photo: Sophie Thun
2.64 MB
Alex Da Corte, Slow Graffiti, installation view, Secession 2017. Courtesy of Maccarone, New York, Gió Marconi, Milan and David Risley Gallery, Copenhagen, Photo: Sophie Thun
Ericka Beckman, You the Better Expanded Studies (3), 1984/2015, charcoal on paper, 42 x 58 inches. Courtesy Ericka Beckman, Mary Boone Gallery, New York and Cherry & Martin, Los Angeles
1.62 MB
ImPulsTanz 2017 performed on the Secession’s façade
Gabriel Sierra, The First Impressions of the Year 2018 (During the early days of the year 2017), installation view, Secession 2017, Photo: Oliver Ottenschläger
856.13 KB
Gabriel Sierra, The First Impressions of the Year 2018 (During the early days of the year 2017), installation view, Secession 2017, Photo: Oliver Ottenschläger
1.36 MB
Gabriel Sierra, The First Impressions of the Year 2018 (During the early days of the year 2017), installation view, Secession 2017, Photo: Oliver Ottenschläger
0.99 MB
Gabriel Sierra, The First Impressions of the Year 2018 (During the early days of the year 2017), installation view, Secession 2017, Photo: Oliver Ottenschläger
1.34 MB
Gabriel Sierra, The First Impressions of the Year 2018 (During the early days of the year 2017), installation view, Secession 2017, Photo: Oliver Ottenschläger
Francis Alÿs, Le temps du sommeil, Exhibition view, Secession, 2016;
Photo: Francis Alÿs
1.48 MB
Francis Alÿs, Le temps du sommeil, Exhibition view, Secession, 2016;
Photo: Francis Alÿs
1.47 MB
Francis Alÿs, Le temps du sommeil, Exhibition view, Secession, 2016;
Photo: Francis Alÿs
1.18 MB
Francis Alÿs, Le temps du sommeil, Exhibition view, Secession, 2016;
Photo: Francis Alÿs
1.28 MB
Francis Alÿs, Le temps du sommeil, Exhibition view, Secession, 2016;
Photo: Francis Alÿs
1.10 MB
Francis Alÿs, Le temps du sommeil, exhibition view, Secession 2016; Photo: Jorit Aust
909.57 KB
Francis Alÿs, Le temps du sommeil, exhibition view, Secession 2016; Photo: Jorit Aust
717.75 KB
Francis Alÿs, Le temps du sommeil, exhibition view, Secession 2016; Photo: Jorit Aust
588.33 KB
Francis Alÿs, Le temps du sommeil, (1996–), 111 paintings, oil, encaustic, crayon, collage on wood, ca. 11,5 x 15,5 cm. Courtesy the artist and Galerie Peter Kilchmann, Zurich
874.30 KB
Francis Alÿs, Le temps du sommeil, (1996–), 111 paintings, oil, encaustic, crayon, collage on wood, ca. 11,5 x 15,5 cm. Courtesy the artist and Galerie Peter Kilchmann, Zurich
1.13 MB
Francis Alÿs, Le temps du sommeil, (1996–), 111 paintings, oil, encaustic, crayon, collage on wood, ca. 11,5 x 15,5 cm. Courtesy the artist and Galerie Peter Kilchmann, Zurich
2.07 MB
Francis Alÿs, Paradox of Praxis 1 (Sometimes Making Something Leads to Nothing), 12:05 pm, 1997. Documentation of an action in Mexico City, video, 5 min, colour, sound. Courtesy the artist and Galerie Peter Kilchmann, Zurich
1.59 MB
Francis Alÿs, Paradox of Praxis 1 (Sometimes Making Something Leads to Nothing), 3:34 pm, 1997. Documentation of an action in Mexico City, video, 5 min, colour, sound. Courtesy the artist and Galerie Peter Kilchmann, Zurich
1.62 MB
Francis Alÿs, Paradox of Praxis 1 (Sometimes Making Something Leads to Nothing), 6:05 pm, 1997. Documentation of an action in Mexico City, video, 5 min, colour, sound. Courtesy the artist and Galerie Peter Kilchmann, Zurich
Oliver Laric, Photoplastik, installation view, Secession 2016, Photo: Iris Ranzinger
2.11 MB
Oliver Laric, Photoplastik, installation view, Secession 2016, Photo: Iris Ranzinger
2.47 MB
Oliver Laric, Photoplastik, installation view, Secession 2016, Photo: Iris Ranzinger
1.80 MB
Oliver Laric, Photoplastik, installation view, Secession 2016, Photo: Iris Ranzinger
2.29 MB
Oliver Laric, Photoplastik, installation view, Secession 2016, Photo: Iris Ranzinger
2.48 MB
Oliver Laric, Photoplastik, installation view Hermes Fastening his Sandal and Johann Christian Wilhelm Beyer: Lucius Quinctius Cincinnatus, between 1773 and 1780, Secession 2016, Photo: Iris Ranzinger
2.87 MB
Oliver Laric, Photoplastik, installation view François Willème, Self Portrait, around 1860, Secession 2016, Photo: Iris Ranzinger
James Lee Byars, Perfect Moments. An Exchange of Ideas with Gerhard Johann Lischka, installation view, Secession 2016, Photo: Sophie Thun
1.57 MB
James Lee Byars, Perfect Moments. An Exchange of Ideas with Gerhard Johann Lischka, installation view, Secession 2016, Photo: Sophie Thun
1.73 MB
James Lee Byars, Perfect Moments. An Exchange of Ideas with Gerhard Johann Lischka, installation view, Secession 2016, Photo: Sophie Thun
2.26 MB
James Lee Byars, Perfect Moments. An Exchange of Ideas with Gerhard Johann Lischka, installation view L. Please, Secession 2016, Photo: Sophie Thun
2.21 MB
James Lee Byars, Perfect Moments. An Exchange of Ideas with Gerhard Johann Lischka, installation view L. Point at the Infinite, Secession 2016, Photo: Sophie Thun
1.68 MB
James Lee Byars, Perfect Moments. An Exchange of Ideas with Gerhard Johann Lischka, installation view Luck, Secession 2016, Photo: Sophie Thun
