secession

Rudolf Polanszky

Eidola

February 9–April 22, 2018

Press_release_Rudolf_Polanszky

Haris Epaminonda

VOL. XXIII

February 9–April 1, 2018

Press_release_Haris_Epaminonda

Statement “To every time its art. To art its freedom”

Secession Statement To art its freedom 20.12.17

R. H. Quaytman

An Evening, Chapter 32

November 17, 2017 – January 28, 2018

Press release_R. H. Quaytman

Olga Chernysheva

Chandeliers in the Forest

November 17, 2017 – January 28, 2018

Press release_Olga Chernysheva

Nicole Eisenman

Dark Light

September 14 – November 4, 2017

Press release_Nicole Eisenman

Nicole EisenmanShooter 2, 2016, 208,28 x 165,1 cm. Courtesy the artist, Anton Kern Gallery NY and The Daskal Collection, Photo: Sophie Thun

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Nicole Eisenman, Dark Light, 2017, 325,12 x 264,16 cm. Courtesy the artist, Susanne Vielmetter Los Angeles Projects and The Ovitz Family Collection, Photo: Sophie Thun

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Nicole Eisenman, Riding Down River on the USS J-Bone of an Ass, 2017, 325,12 x 264,16 cm. Courtesy the artist, Susanne Vielmetter Los Angeles Projects and The Aishti Collection, Photo: Sophie Thun

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Nicole Eisenman, Dark Light, Ausstellungsansicht. Secession 2017, Photo: Sophie Thun

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Nicole Eisenman, Dark Light, Ausstellungsansicht. Secession 2017, Photo: Sophie Thun

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Nicole Eisenman, Dark Light, Ausstellungsansicht. Secession 2017, Photo: Sophie Thun

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Nicole Eisenman, Dark Light, Ausstellungsansicht. Secession 2017, Photo: Sophie Thun

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Nicole Eisenman, Dark Light, Ausstellungsansicht. Secession 2017, Photo: Sophie Thun

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Nicole Eisenman, Dark Light, Ausstellungsansicht. Secession 2017, Photo: Sophie Thun

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Nicole Eisenman, Dark Light, Ausstellungsansicht. Secession 2017, Photo: Sophie Thun

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Nicole Eisenman, Monument to a Politician, Secession 2017, with collaborative assistance from Ali Janka and Tobias Urban, Photo: Sophie Thun

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Nicole Eisenman, Monument to a Politician, Secession 2017, with collaborative assistance from Ali Janka and Tobias Urban, Photo: Sophie Thun

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Nicole Eisenman, Monument to a Politician, Secession 2017, with collaborative assistance from Ali Janka and Tobias Urban, Photo: Sophie Thun

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Nicole Eisenman, Monument to a Politician, Secession 2017, with collaborative assistance from Ali Janka and Tobias Urban, Photo: Sophie Thun

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Nicole Eisenman, Monument to a Politician, Secession 2017, with collaborative assistance from Ali Janka and Tobias Urban, Photo: Sophie Thun

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Toni Schmale

HOT HOT HOT

September 14 – November 5, 2017

Press release_Toni Schmale

Chadwick Rantanen

Ward

September 14 – November 5, 2017

Press release_Chadwick Rantanen

Alex Da Corte

Slow Graffiti

July 6 – September 3, 2017

Press release_Alex Da Corte

Ericka Beckman

Game Mechanics

July 6 – September 3, 2017

Press release_Ericka Beckman

ImPulsTanz 2017 performed on the Secession’s façade

Doris Uhlich
Seismic Session

August 10, 2017, 6 p.m.
August 13, 2017, 3 p.m.

Press information_ImPulsTanz 2017_Secession

Jean-Luc Moulène

The Secession Knot (5.1)

April 6 – June 18, 2017

Press release_Jean-Luc Moulène

Rosa Barba

Spacelength Thought

April 6 – June 25, 2017

Press release_Rosa Barba

Anoka Faruqee

The Visible Spectrum

April 6 – June 25, 2017

Press release_Anoka Faruqee

Svenja Deininger

Echo of a Mirror Fragment

February 2 – March 26, 2017

Press release_Svenja Deininger

Gabriel Sierra

The First Impressions of the Year 2018
(During the early days of the year 2017)

February 2 – March 26, 2017

Press release_Gabriel Sierra

Angelika Loderer

Februar 2 – March 26, 2017

Press release_Angelika Loderer

Francis Alÿs

Le temps du sommeil

November 18, 2016 – January 22, 2017

Press release Francis Alÿs

Francis Alÿs, Le temps du sommeil, Exhibition view, Secession, 2016; Photo: Francis Alÿs

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Francis Alÿs, Le temps du sommeil, Exhibition view, Secession, 2016; Photo: Francis Alÿs

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Francis Alÿs, Le temps du sommeil, Exhibition view, Secession, 2016; Photo: Francis Alÿs

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Francis Alÿs, Le temps du sommeil, Exhibition view, Secession, 2016; Photo: Francis Alÿs

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Francis Alÿs, Le temps du sommeil, Exhibition view, Secession, 2016; Photo: Francis Alÿs

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Francis Alÿs, Le temps du sommeil, exhibition view, Secession 2016; Photo: Jorit Aust

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Francis Alÿs, Le temps du sommeil, exhibition view, Secession 2016; Photo: Jorit Aust

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Francis Alÿs, Le temps du sommeil, exhibition view, Secession 2016; Photo: Jorit Aust

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Francis Alÿs, Le temps du sommeil, (1996–), 111 paintings, oil, encaustic, crayon, collage on wood, ca. 11,5 x 15,5 cm. Courtesy the artist and Galerie Peter Kilchmann, Zurich — Francis Alÿs, Le temps du sommeil, (1996–), 111 paintings, oil, encaustic, crayon, collage on wood, ca. 11,5 x 15,5 cm. Courtesy the artist and Galerie Peter Kilchmann, Zurich

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Francis Alÿs, Le temps du sommeil, (1996–), 111 paintings, oil, encaustic, crayon, collage on wood, ca. 11,5 x 15,5 cm. Courtesy the artist and Galerie Peter Kilchmann, Zurich — Francis Alÿs, Le temps du sommeil, (1996–), 111 paintings, oil, encaustic, crayon, collage on wood, ca. 11,5 x 15,5 cm. Courtesy the artist and Galerie Peter Kilchmann, Zurich

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Francis Alÿs, Le temps du sommeil, (1996–), 111 paintings, oil, encaustic, crayon, collage on wood, ca. 11,5 x 15,5 cm. Courtesy the artist and Galerie Peter Kilchmann, Zurich

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Francis Alÿs, Paradox of Praxis 1 (Sometimes Making Something Leads to Nothing), 12:05 pm, 1997. Documentation of an action in Mexico City, video, 5 min, colour, sound. Courtesy the artist and Galerie Peter Kilchmann, Zurich — Francis Alÿs, Paradox of Praxis 1 (Sometimes Making Something Leads to Nothing), 12:05 pm, 1997. Documentation of an action in Mexico City, video, 5 min, colour, sound. Courtesy the artist and Galerie Peter Kilchmann, Zurich

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Francis Alÿs, Paradox of Praxis 1 (Sometimes Making Something Leads to Nothing), 3:34 pm, 1997. Documentation of an action in Mexico City, video, 5 min, colour, sound. Courtesy the artist and Galerie Peter Kilchmann, Zurich — Francis Alÿs, Paradox of Praxis 1 (Sometimes Making Something Leads to Nothing), 3:34 pm, 1997. Documentation of an action in Mexico City, video, 5 min, colour, sound. Courtesy the artist and Galerie Peter Kilchmann, Zurich

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Francis Alÿs, Paradox of Praxis 1 (Sometimes Making Something Leads to Nothing), 6:05 pm, 1997. Documentation of an action in Mexico City, video, 5 min, colour, sound. Courtesy the artist and Galerie Peter Kilchmann, Zurich — Francis Alÿs, Paradox of Praxis 1 (Sometimes Making Something Leads to Nothing), 6:05 pm, 1997. Documentation of an action in Mexico City, video, 5 min, colour, sound. Courtesy the artist and Galerie Peter Kilchmann, Zurich

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Avery Singer

Sailor

November 18, 2016 – January 22, 2017

Press release Avery Singer

Thea Djordjadze

To be in an upright position on the feet (studio visit).

September 8 – November 1, 2016

Press release Thea Djordjadze

Thea Djordjadze, To be in an upright position on the feet (studio visit)., exhibition view, Secession 2016, Photo: Sophie Thun — Thea Djordjadze, To be in an upright position on the feet (studio visit)., exhibition view, Secession 2016, Photo: Sophie Thun

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Thea Djordjadze, To be in an upright position on the feet (studio visit)., exhibition view, Secession 2016, Photo: Sophie Thun — Thea Djordjadze, To be in an upright position on the feet (studio visit)., exhibition view, Secession 2016, Photo: Sophie Thun

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Thea Djordjadze, To be in an upright position on the feet (studio visit)., exhibition view, Secession 2016, Photo: Sophie Thun — Thea Djordjadze, To be in an upright position on the feet (studio visit)., exhibition view, Secession 2016, Photo: Sophie Thun

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Thea Djordjadze, To be in an upright position on the feet (studio visit)., exhibition view, Secession 2016, Photo: Sophie Thun — Thea Djordjadze, To be in an upright position on the feet (studio visit)., exhibition view, Secession 2016, Photo: Sophie Thun

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Thea Djordjadze, To be in an upright position on the feet (studio visit)., exhibition view, Secession 2016, Photo: Sophie Thun — Thea Djordjadze, To be in an upright position on the feet (studio visit)., exhibition view, Secession 2016, Photo: Sophie Thun

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Thea Djordjadze, To be in an upright position on the feet (studio visit)., exhibition view, Secession 2016, Photo: Sophie Thun

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Thea Djordjadze, To be in an upright position on the feet (studio visit)., exhibition view, Secession 2016, Photo: Sophie Thun — Thea Djordjadze, To be in an upright position on the feet (studio visit)., exhibition view, Secession 2016, Photo: Sophie Thun

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Thea Djordjadze, To be in an upright position on the feet (studio visit)., exhibition view, Secession 2016, Photo: Sophie Thun — Thea Djordjadze, To be in an upright position on the feet (studio visit)., exhibition view, Secession 2016, Photo: Sophie Thun

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Thea Djordjadze, To be in an upright position on the feet (studio visit)., exhibition view, Secession 2016, Photo: Sophie Thun — Thea Djordjadze, To be in an upright position on the feet (studio visit)., exhibition view, Secession 2016, Photo: Sophie Thun

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Thea Djordjadze, To be in an upright position on the feet (studio visit)., exhibition view, Secession 2016, Photo: Sophie Thun — Thea Djordjadze, To be in an upright position on the feet (studio visit)., exhibition view, Secession 2016, Photo: Sophie Thun

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Thea Djordjadze, To be in an upright position on the feet (studio visit)., exhibition view, Secession 2016, Photo: Sophie Thun — Thea Djordjadze, To be in an upright position on the feet (studio visit)., exhibition view, Secession 2016, Photo: Sophie Thun

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Yto Barrada

The Sample Book

September 8 – November 1, 2016

Press release Yto Barrada

Vincent Fecteau

July 1 – August 28, 2016

Press release_Vincent Fecteau

Manon de Boer

Giving Time to Time

July 1 – August 28, 2016

Press release_Manon de Boer

Manon de Boer, Giving Time to Time, installation view An Experiment in Leisure, Secession 2016, Photo: Oliver Ottenschläger — Manon de Boer, Giving Time to Time, installation view An Experiment in Leisure, Secession 2016, Photo: Oliver Ottenschläger

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Manon de Boer, Giving Time to Time, installation view An Experiment in Leisure, Secession 2016, Photo: Oliver Ottenschläger — Manon de Boer, Giving Time to Time, installation view An Experiment in Leisure, Secession 2016, Photo: Oliver Ottenschläger

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Manon de Boer, Giving Time to Time, installation view The Untroubled Mind, Secession 2016, Photo: Oliver Ottenschläger — Manon de Boer, Giving Time to Time, installation view The Untroubled Mind, Secession 2016, Photo: Oliver Ottenschläger

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Manon de Boer, Giving Time to Time, exhibition view, Secession 2016, Photo: Oliver Ottenschläger — Manon de Boer, Giving Time to Time, exhibition view, Secession 2016, Photo: Oliver Ottenschläger

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Manon de Boer, Giving Time to Time, installation view Maud Capturing the Light ‘On a Clear Day’, Secession 2016, Photo: Oliver Ottenschläger — Manon de Boer, Giving Time to Time, installation view Maud Capturing the Light ‘On a Clear Day’, Secession 2016, Photo: Oliver Ottenschläger

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Manon de Boer, Giving Time to Time, installation view Presto, Perfect Sound, Secession 2016, Foto: Oliver Ottenschläger — Manon de Boer, Giving Time to Time, installation view Presto, Perfect Sound, Secession 2016, Foto: Oliver Ottenschläger

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Manon de Boer, Giving Time to Time, installation view Dissonant, Secession 2016, Photo: Oliver Ottenschläger — Manon de Boer, Giving Time to Time, installation view Dissonant, Secession 2016, Photo: Oliver Ottenschläger

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Manon de Boer, film still from An Experiment in Leisure, 2016 © Manon de Boer, Courtesy Jan Mot, Brussels — Manon de Boer, film still from An Experiment in Leisure, 2016 © Manon de Boer, Courtesy Jan Mot, Brussels

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Manon de Boer, film still from An Experiment in Leisure, 2016 © Manon de Boer, Courtesy Jan Mot, Brussels — Manon de Boer, film still from An Experiment in Leisure, 2016 © Manon de Boer, Courtesy Jan Mot, Brussels

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Manon de Boer, film still from aus Presto, Perfect Sound, 2006, 6 min © Manon de Boer, Courtesy Jan Mot, Brussels — Manon de Boer, film still from aus Presto, Perfect Sound, 2006, 6 min © Manon de Boer, Courtesy Jan Mot, Brussels

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Manon de Boer, film still from Dissonant, 2010, 16 mm film transferred to HDcam, 10 min © Manon de Boer, Courtesy Jan Mot, Brussels — Manon de Boer, film still from Dissonant, 2010, 16 mm film transferred to HDcam, 10 min © Manon de Boer, Courtesy Jan Mot, Brussels

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Manon de Boer, film still from Dissonant, 2010, 16 mm film transferred to HDcam, 10 min © Manon de Boer, Courtesy Jan Mot, Brussels — Manon de Boer, film still from Dissonant, 2010, 16 mm film transferred to HDcam, 10 min © Manon de Boer, Courtesy Jan Mot, Brussels

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Manon de Boer, film still from The Untroubled Mind, 2013–2016 © Manon de Boer, Courtesy Jan Mot, Brussels — Manon de Boer, film still from The Untroubled Mind, 2013–2016 © Manon de Boer, Courtesy Jan Mot, Brussels

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Manon de Boer, film still from The Untroubled Mind, 2013–2016 © Manon de Boer, Courtesy Jan Mot, Brussels — Manon de Boer, film still from The Untroubled Mind, 2013–2016 © Manon de Boer, Courtesy Jan Mot, Brussels

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Valerio Adami

July 1 – August 28, 2016

Press release_Valerio Adami

Oliver Laric

Photoplastik

April 22 – June 19, 2016

Press release Oliver Laric
List of Works and Download Links Oliver Laric

Gerald Domenig

Awåragaude?

April 22 – June 19, 2016

Press release Gerald Domenig

James Lee Byars

Perfect Moments. An Exchange of Ideas with Gerhard Johann Lischka

April 22 – June 19, 2016

Press release James Lee Byars
List of Works James Lee Byars

Lutz Bacher

More Than This

February 12 – April 3, 2016

Press release Lutz Bacher

Dike Blair

Floors/Doors/Windows/Walls.

February 12 – April 3, 2016

Press release Dike Blair
List of works Dike Blair

Vija Celmins

November 20, 2015 – January 31, 2016

Press release_Vija Celmins

Julia Haller

Smile from the Streets You Hold

November 20, 2015 – January 31, 2016

Press release Julia Haller

Emily Roysdon

Comedy of Margin Theatre

September 11 – November 11, 2015

Press release_Emily Roysdon

Mark Leckey + Alessandro Raho

We Transfer

September 11 – November 1, 2015

Press release_Mark Leckey + Alessandro Raho

Too Modern for the First Row – The Architectural History of the Vienna Secession

Presentation on the occasion of the 150 year anniversary of Vienna’s Ringstraße

March 19 – November 1, 2015

Press release_Too Modern for the First Row