Rita McBride, Secession Tower, Secession 2000
The interest of the American artist Rita McBride centers around the question whether and how the relationship between an object and its materiality is determined by perceptual patterns. Her objects and installations avoid both formalism of design and the aesthetics of the ready-made. Rita McBride is developing a project for the Secession, in which the building will be transformed paradigmatically into an island: surrounded by palm trees and heightened to become a high-rise, the Secession will turn into a holiday paradise that contrasts ironically with the starkness of the white cube and the superficiality of the tourist attraction.
Rita McBride, Secession 2000
McBride's technique can best be compared to transformation and alienation. She
assumes that the material of an object is in itself a carrier of meaning. Ignoring
the seemingly obvious coupling of form, function and material, Rita McBride works
with iconographic overlapping both on a formal level and on the level of the material.
In 1990 she constructed a life-size scale model of a Toyota in rattan cane and
merged the associations of the material, which is normally used in a handicrafts
context to construct cozily squeaky furniture, with a form from high-tech mass
production. Both automobile and piece of furniture - albeit transferred from everyday
life into an art context - Toyota remains as a quotation and/or interpretation-cum-meaning
in balanced inequilibrium, in which material and form each refer to what is missing.
The utopian content of such interacting reference structures is inherent in Rita
McBride's project of the Secession, where she evokes visions of a paradisiacal
existence on four conceptual levels and at the same time unmasks these as unrealistic
pipe dreams: the cryptic intimation at the portal will be accompanied by a model
and an edition of posters.
PUBLICATION
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RITA McBRIDE
24 pages, 17 colored illustrations, 11 b/w photos
author: Jan Mendoza
Secession 2000, ISBN 3-901926-27-5
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available in the
shop |
Rita McBride was born in 1960 and now lives
and works in New York City. Her exhibitions include: Rita McBride and Piggybackback
(in collaboration with Catherine Opie and Lawrence Weiner), Galerie Bela Jarzyk,
Cologne (1996); Hyperinclusion, OSMOS, Berlin (1997); Travel and Leisure, Paula
Cooper Gallery, New York (1998); Construction in Process VI: The Bridge, Melbourne
(1998); Rita McBride & To Be Announced, Kunstverein Munich (1999).
For further information and photographic material please contact:
Tamara Schwarzmayr
Secession, Association of Visual Artists Vienna Secession
Friedrichstraße 12, 1010 Vienna
Tel: +43-1-5875307-21, Fax: +43-1-5875307-34
presse@secession.at