Steven Brower (born in 1969 in Washington D.C.) builds architectural models that
are imbued with ironic and skeptical overtones by their extremely diminutive scale
and - at times - by their choice of materials. This is apparent, for instance,
in Brower's replica of Frank Lloyd Wright's Robie House: the fact that it is actually
made of Domino pizza boxes points to the pizza tycoon's passion for the works
of Wright. The artist was able to realize "Utility" in the Lombard Fried Gallery
in New York, where his architectural models were connected to the gallery's power
supply and installation networks to indicate the fact that the gallery was not
an autonomous space, but dependent on a complex interplay of electrical, hydraulic,
social and other systems.
Steven Brower, Secession, 1999
The works in the Secession also include
a concrete reference to the presentational framework itself and were developed
from the building's architecture. The artist was intrigued by the hidden spaces
located behind the numerous white doors throughout the exhibition building that
remained inaccessible to the public. He constructed miniature models of seven
of these (ranging from the broom closet to the space behind the Klimt Frieze)
to a scale of 1:50 and placed them in the exhibition hall in front of the doors
that allowed entry to the corresponding spaces. They are presented on plinths
in the form of a Greek cross representing the layout of the Secession itself,
with the exact location of the spaces marked on the plan. Brower also connected
the hidden spaces with the aid of a fictitious itinerary that draws stations from
the Secession's history into a narrative web. Each architectural model is accompanied
by a passage of text which extrapolates on the reconstructed - but nevertheless
still hidden - spaces by trying to impart their individual characteristics in
linguistic form.
PUBLICATION
STEVEN
BROWER authors: Steven Brower, Matthias Herrmann
bilingual, Secession 1999