Markus Geiger, Secession 1998, Photo: Matthias Herrmann
Curator of the exhibition: Robert Fleck
Assistant curator: Elisabeth Kamenicek
Exhibition structures: Franz West, Heimo Zobernig and Tanja Kogler-Rainer
The Secession
The Association of Visual Artists Vienna Secession was founded in 1897. Its first
exhibition took place in 1898, the year the new Secession building was completed.
Today, the Secession is the world's oldest gallery devoted entirely to the presentation
of modern art. Even today, its primary objective is to show current developments
in Austrian and international art.
The Secession invited Robert Fleck to curate an exhibition marking its hundredth
anniversary.
A Century of Artistic Freedom
The exhibition entitled "Secession: A Century of Artistic Freedom" will
attempt to illustrate many of the leitmotifs of 20th century art - and, indeed,
the Secession's own history - with the aid of more than 200 paintings by 130 artists
from 17 countries. Alongside paintings, sculptures, photographs, installations,
film and video art, the exhibition will also contain a wide range of documentary
material. In particular, architectural models, drawings and sketches of the building
itself and past exhibitions will be put on view. The aim of this exhibition is
to obtain the works of internationally renowned artists that were on show in the
gallery from 1898 onwards and to present these in the context of contemporary
art.
"It's possible to cover one hundred years in one day by walking from the
Künstlerhaus to the Secession" (Robert Musil, Prager Deutsche Presse,
June 1922)
Cindy Sherman, "Ohne Titel", Nr.133, 1984, © Monika Sprüth
Galerie, Köln, NY
Alongside works by founding members like Gustav Klimt, Kolo Moser and Josef Hoffmann,
"A Century of Artistic Freedom" will contain works by such renowned
artists as Gustave Courbet, AugusteRodin and Giovanni Segantini who contributed
to early Secession exhibitions. Ferdinand Hodler, Edvard Munch and Egon Schiele,
all of whom became famous through exhibitions in the Secession, will also be represented.
The extent to which the Secession formed a platform for younger artists in the
past will become apparent in the cases of artists like Max Beckmann, Wassily Kandinsky,
Frederick Kiesler, Fernand Léger, Henri Matisse, Piet Mondrian and Pablo
Picasso, all of whom exhibited works here at the outset of their careers. Paul
Klee, Arnold Schönberg and Oskar Kokoschka, on the other hand, were already
presenting retrospective exhibitions in the Secession at a point in time when
they were still being rejected by museums.
"Now that it has reached old age, the Secession began sowing its wild oats.
Who would have imagined such a thing? I'm speechless! What audacity, what revolutionary
élan! So much creativity all at once!" (Alfred Schmeller, Kurier,
July 1961, on "Who is Who", the first exhibition of the Viennese Actionists)
Hans Arp, Sonia Delaunay, Jackson Pollock, Pierre Soulages, Andreas Urteil and
Fritz Wotruba are the outstanding figures of the early post-war era. The Secession
also acted as a "nursery" for the Viennese Actionists and as a home
from home for avant-garde artists like Joseph Beuys, Christo and Jeanne Claude,
Maria Lassnig, Eugène Leroy, Arnulf Rainer and Rudolf Steiner. From the
'eighties onwards, a series of one-man-shows in the Secession of the works of
Georg Baselitz, Daniel Buren, Helmut Federle, Joseph Kosuth, Sol LeWitt, Markus
Lüpertz, Brice Marden, Michelangelo Pistoletto and Franz West met with wide
international interest.
Joseph Beuys building the installation "Jungfrau Basisraum
Nasse Wäsche".
Exhibted during "Expansion. Vierte Internationale Graphikbiennale der Wiener Secession",
1979
Photo: Hans Nevidal, © VBK, Wien
"Sol LeWitt's Environment will Inevitably Disappear Under Layers of Paint
but it will, Nevertheless, Linger on in our Memory" (Edelbert Köb, President
of the Secession, in the preface to the catalogue of the exhibition, June 1988)
Over the last fifteen years, major environments (some of which are to be reconstructed
for the exhibition "A Century of Artistic Freedom" with the aid of models
and documentation) and the painting retrospectives of individual artists had an
extraordinary impact on local art production. For this reason, it seemed natural
to devote more than half of the exhibition space to the art of the past two decades.
The scope of this part of the exhibition will range from contributions from artists
like Richard Hoeck, Leni Hoffmann, Carsten Höller, Brigitte Kowanz, Andreas
Slominski and Jason Rhoades, to promising young talents from the present art scene.
"The exhibition also demonstrates that the Secession, largely because of
its democratically run Artists' Association, has been able to maintain its independent
and autonomous status up to the present day." (Robert Fleck)
PUBLICATIONS
"A Century of Artistic Freedom" (which contains 240 pages and 380 illustrations)
is being published by Prestel Publishers and delineates the development of art
and art exhibitions in the course of the 20th century against the background of
the Secession's own history. Reproductions of the most important works exhibited
there over a period of one hundred years are supplemented by photographic documentation
of the artists and exhibitions in the Secession (some of which is being made public
for the first time). The essays were written by Iaroslava Boubnova (Sofia), Horst
Christoph (Vienna), John Miller (New York), Michel Onfray (Paris) and Robert Fleck
(Paris) was responsible for documentation.
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100 JAHRE
SECESSION
Das Jahrhundert der künstlerischen Freiheit
192 pages, 60 colored illustrations, numerous b/w illustrations
Secession, Prestel-Verlag 1998
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available in the
shop |
| |
|
 |
100 JAHRE
SECESSION
booklet, french
___________________
available in the
shop |
EXHIBITION DISCUSSIONS
Exhibition discussions take place in the Secession on every Wednesday at 6 p.m.
Personalities from different spheres of art will be talking about their views
on the exhibition and the Secession in general. The public is free to express
its own opinions in an ensuing dialogue.
Wednesday, 15 April 1998, 6 p.m.
Werner Würtinger, President of the Association of Visual Artists Vienna Secession
Wednesday, 22 April 1998, 6 p.m.
Robert Fleck, curator of the exhibition
Wednesday, 29 April 1998, 6 p.m.
Eleonora Louis, art historian and free-lance exhibition curator
Wednesday, 6 May 1998, 6 p.m.
Otto Kapfinger, architectural academic and author
Wednesday, 13 May 1998, 6 p.m.
Peter Weibel, multi-artist
Wednesday, 20 May 1998, 6 p.m.
Marian Bisanz-Prakken, curator of the
Albertina,
area Gustav Klimt and Wiener Jahrhundertwende
Wednesday, 27 May 1998, 6 p.m.
Sylvie Liska, President of the Friends of the Secession
Wednesday, 3 June 1998, 6 p.m.
Erwin Wurm, artist
Wednesday, 10 June 1998, 6 p.m.
Kathrin Rhomberg, exhibtion curator in the Secession
Wednesday, 17 June 1998, 6 p.m.
Horst Cristoph, art critic of the weekly magazine "Profil"
LECTURES
The exhibition "A Century of Artistic Freedom" will be marked by a series of lectures
by international architectural and art theorists in the Architekturzentrum Wien.
These events will be mounted in co-operation with the
Friends
of the Secession and the
Architekturzentrum
Wien.
Monday, 20 April 1998, 7 p.m.
Robert Fleck and Otto Kapfinger - "The Secession as a House of Modern Art"
Monday, 27 April 1998, 7 p.m.
Catherine David - "The Ethics of Presenting Exhibitions Today"
(in English with simulataneous translation into German)
Monday, 4 May 1998, 7 p.m.
Mark Wigley - "The Colour White in Architecture"
(in English with simulatneous translation into German)
Monday, 11 May 1998, 7 p.m.
Michel Onfray - "The Cult of Form"
(in French with simultaneous translation into German)
Venue:
Architekturzentrum Wien, Museumsplatz 1, A-1070 Vienna
SCHOOL CLASSES INTERVIEW ARTISTS
Following a tour of the exhibitions with our induction teams, the students will
be able to ask the curator and the participating artists questions. These events
will be supported by the
ÖKS.
We have invited (in co-operation with the Austrian Culture Service) the curator
and nine artists participating in the exhibition to talk about the Secession in
discussions with the students. These interviews with artists will take place subsequent
to a tour of the entire exhibition with our induction team.
Tuesday, 24 April 1998, 2 p.m.
Robert Fleck - curator of the exhibition
Thursday, 30 April 1998, 2 p.m.
Küng/Margreiter/Poledna/Pumhösl Ohne Titel (Analyse der Berichterstattung
zum Mühl-Prozeß), 1991
Tuesday, 5 May 1998, 2 p.m.
Roland Goeschl - "Skulptoraumeinbau" (Modell), 1994
Thursday, 14 May 1998, 2 p.m.
Willi Kopf - Reconstruction of the Ornamental Mouldings by Josef Hoffmann, 1902/1985
Tuesday, 19 May 1998, 2 p.m.
Kurt Krenn - "Action Films", 1964-66
Thursday, 28 May 1998, 2 p.m.
Mathias Hammer - "Olbrich's Spirit hold Taste Strengthener Captive", (2 balls
from the dome of the Secession), 1993/94
Thursday, 4 June, 2 p.m.
Otto Zitko - "Without Title" (drawing of the groundplan of the Secession), 1992
Tuesday, 9 June 1998, 2 p.m.
Elke Krystufek - "The Golden Show", 1997 etc., videos
Thursday, 18 June 1998, 2 p.m.
Friedl Kubelka - "Gedankenreihe Cora Pongracz", 1977
We would like to thank:
Erste Bank,
Glaxo
Wellcome, Basler Versicherung, Ericsson, art pool, museum in progress,
Friends
of the Secession, ORF - Ö1 Radio, ÖBB, Bundesministerium für
auswärtige Angelegenheiten, .Kunst Bundeskanzleramt,
Wien Kultur,
ÖKS
Club
For further information and photographic material please contact:
Tamara Schwarzmayr
Secession, Association of Visual Artists Vienna Secession
Friedrichstraße 12, 1010 Vienna
Tel: +43-1-5875307-21, Fax: +43-1-5875307-34
presse@secession.at