Hans Schabus, 1993, 1993
The work of Hans Schabus, who was born in Watschig in Carinthia in 1970 and who
recently finished his studies at the Academy for Fine Arts (Bruno Gironcoli's
sculpture class), is characterised by the mutual interrelationships between interior
and exterior, private and public life or furniture and human beings.
Hans Schabus has conceived an installation for the Vienna Secession with the double
title "The Face in the Wall. A Door is a Table is a Bed". It is spread
over two exhibition spaces: the Ver Sacrum Room on the Ground Floor and the Graphic
Cabinet on the First Floor. Wooden panelling mounted on the facade of the Secession
will darken the windows and form a visual link between both spaces. It also indicates
their respective positions, i.e. one above the other. Daylight enters through
24 small circular apertures and creates a diffuse atmosphere. The effect of intimacy
and privacy in the interior spaces caused by the panelling is undermined by the
doors (which would close each space on the inside) being laid on trestles in the
middle of each room. The door becomes a table in the Ver Sacrum Room and a bed
in the Graphic Cabinet. A stool invites the viewer to sit, so that he can use
a microphone and hence to establish a relationship between himself and the installation.
Both installations will be accompanied by a brochure designed by Hans Schabus.
This mirrors the 24 apertures of the wooden panelling with 12 pairs of eyes. A
discussion between Hans Schabus and Jakob Kosta is devoted to the work shown in
the Secession.
PUBLICATION
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HANS SCHABUS
34 Seiten, 10 s/w-Abbildungen
Text: Hans Schabus/Jakob Kosta
Secession 1996
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Erhältlich im
Shop |
We would like to thank:
BUNDESMINISTERIUM FÜR WISSENSCHAFT, FORSCHUNG UND KUNST
WIEN KULTUR
FILMCASINO
HEINISCH
For further information and photographic material please contact:
Tamara Schwarzmayr
Secession, Association of Visual Artists Vienna Secession
Friedrichstraße 12, 1010 Vienna
Tel: +43-1-5875307-21, Fax: +43-1-5875307-34
presse@secession.at